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My first love featuring keke wyatt keke in mountain view? New gina lee feat. Lucky peterson tribute to jimmy smith Your oyster is the world image. As such we are selling these “as is.” We cannot offer refunds or replacement copies for records that are slightly warped but in playable condition.Lady gaga bloody mary studio version from joanne world tour. We have done our best to weed out any copies with exceptional damage. ringwear) or warping from its years in storage, but should still be in playable condition. There is a possibility that your LP will have minor cosmetic damage (e.g.
PLEASE NOTE: These are original pressings that were recovered after several decades in storage. “One Man Posse” produced by Mark Freedman and Peter Schott, engineered by Mark Freedman and Eric Liljestrand Synthesizer and organ on “Be Your Own Hero” by Peter Schott Vocals on “Hamburger Heaven” by Psquani Frates Vocals on “One Peace at a Time” by Abby Wolffīacking vocals on “Be Your Own Hero” by Abby Wolffīacking vocals on “Taste Me” by Abby Wolff and Psquani Frates
Mastered by Josh Bonati, Bonati Mastering (Brooklyn, NY)Ĭover photo taken from Discharge, by unknown photographerĬello on “One Peace At A Time,” “Be Your Own Hero” and “Holi-Ol-I” by Arthur Russell Performed, produced, and mixed by Mark Freedman at Battery Sound, New York City except where otherwise noted. creditsĪll music and words by Mark Freedman except “Purple People Eater”, written by Sheb Wooley. And instead of adding more plastic to the world, we’re offering sourced copies of the original Powerman pressings in cooperation with Mark’s family. The best bits from Freedman’s self-released oeuvre are compiled here into One Man Posse, remastered with care from the original master reels and pristine vinyl and cassette sources by Josh Bonati. Mark passed away in 2012, leaving his music in the hands of his children. The Battery Sound crew appear across the now-coveted self-released Powerman albums, musically exploring chugging groove marathons, wistful, puzzle pieced New Wave not dissimilar to the avant-pop of Art of Noise or New Musik, kitschy yet catchy sample expression and much, much more, oftentimes featuring Russell on cello. With a DIY spirit in the air, Freedman, and a cast of characters from the Battery Sound recording studio world, played and prospered within his disorderly-creative systems, enjoying the magical sound catalyzed by the studio’s state of the art equipment, including a Fairlight CMI, a then cutting edge digital synthesizer, sampler, and audio workstation. Because, or in spite, of this non-conformity, Freedman released three albums and an EP on his own label imprint, named after the recording studio, over a short span of three years. As Powerman, Freedman voyaged strange synth seas, coasting weird waves, New and otherwise, while never quite fitting the pop mold he was trying to conform his music to. The studio became mythically used by Arthur Russell, who spent late nights there creating World of Echo and working on songs like “Another Thought,” “In the Light of the Miracle,” and “Let’s Go Swimming” (which Freedman co-produced).Īs well as an engineer, Freedman was a multi-instrumentalist and composer operating under various monikers, the most prolific of which was his Powerman alias. Mark Freedman notably owned and operated NYC’s Battery Sound recording studios in the early-to-mid 1980s, providing a deep and open space for Downtown’s oddballs to experiment within.
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